![]() Feel like pushing the D500 to its native ISO limit of 51,200? Go for it if you must, but stick with a 4 x 6 print and even then, it isn't going to pass our test. At ISO 6400, an 11 x 14 is about the best you can do, but this is still impressive for an APS-C camera. You could almost get away with a print this size at ISO 3200, but you're better off opting instead for a 13 x 19 print. At ISO 1600, a great print tops out at 16 x 20. Less critical uses could get away with a print that size at ISO 800. Click for full-size image.įor critical printing applications, the D500 can produce 30 x 40 prints at up to ISO 400. Thanks to its lack of an optical low pass filter (OLPF), the D500 resolves slightly more detail than its Canon competitor, the 20-megapixel 7D Mark II.ġ050mm eq. When compared to the D7200, the D7200 offers a bit more detail due to its higher-resolution sensor, but the D500 captures images with less noise. Of course, the D300S came out in 2009 and offered up 12 megapixels, so it's not exactly a fair comparison. When comparing the D500 to its predecessor, the D300S, the image quality difference is substantial. While many of Nikon's current DX cameras come with 24-megapixel sensors, the D500 bucks the trend and comes equipped with a 20.9-megapixel CMOS sensor. New 20.9-megapixel DX sensor helps D500 reach new heights Excellent image quality We were impressed with the robust build quality, professional-oriented controls and the small details (such as the new location of the ISO button and illuminated controls) that separate a camera like the D500 from lesser cameras. Not everything is an addition or improvement, however, as the D500 is the company's first APS-C camera to eschew a built-in flash. The D500's mirror mechanism has been improved to reduce viewfinder blackout time, which is great for tracking fast-moving subjects. If Live View shooting isn't up your alley, don't worry, the viewfinder is excellent, with its nearly 100% frame coverage and 0.67x magnification (35mm equivalent). The touchscreen functionality works well, particularly during Live View and video recording, and the display's articulation is very good and feels rather durable. On the back of the camera is a 3.2-inch articulating touchscreen LCD with 2,359,000 dots. All of these well-placed buttons light up too, allowing photographers working in the dark to easily find the right button. Controls are good overall, and we particularly liked the D500's inclusion of a sub-selector joystick. ![]() Like the D5, the D500 is one of Nikon's first cameras to include the ISO button on the right side of the camera, putting all of the exposure controls within the reach of your shutter finger. Despite being quite large, it's comfortable to hold due to its narrow, deep front grip. Even compared to the full-frame D750, the D500 is heavier and larger, although the margins are much smaller. Compared to the D7200, the D500 is both heavier (by about three ounces) and larger in every dimension. The Nikon D500 is quite large for an APS-C sensor DSLR. The Nikon D500's rugged body is pro-oriented and comfortable to use ![]() They both use the same new 153-point AF system, 180k-pixel metering sensor, fast EXPEED 5 image processor and offer 4K UHD video recording. The Nikon D500 shares many features with the simultaneously-announced D5 flagship DSLR, and in fact, save for the smaller body and sensor, there are not as many differences between the D500 and D5 as you might expect. ![]() In 2009, Nikon released the D300S, and since then, they had not released a new professional-quality APS-C DSLR until the D500 was released this spring. ![]()
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